Jazz, after all, is a peculiar genre: drawing life from the heritage of its past great masters, of course, but at the same time constantly reinventing itself and, in this day and age, offering a veritable manifesto about the meaning of the word “change”. Jazz, like a sponge, absorbs everything around it: history, landscapes, the evolution of humanity and social needs. Within this constant change it must make no excuses, but always look towards the future.
An interview with Ricky Kej, the activist and musician who recently released “Divine Tides”, his latest album with Stewart Copeland.
Live music: yes to 100% of a venue’s capacity, but Green Passes and face masks will be mandatory
JAM THE FUTURE | Music for a new planet, the JAZZMI live music contest for jazz ensembles writing their own music, has finally reached its verdict.
The die has been cast, and the program for JAZZMI 2021 has been unveiled.
As we wait to be delighted by his new composition, why not discover or rediscover Ludovico Einaudi’s previous two albums, released between 2020 and 2021?
