{"id":15181,"date":"2026-10-16T12:00:48","date_gmt":"2026-10-16T10:00:48","guid":{"rendered":"https:\/\/ponderosa.it\/?p=15181"},"modified":"2026-10-15T12:35:11","modified_gmt":"2026-10-15T10:35:11","slug":"luciano-linzi-jazzmi-here-are-my-tips","status":"publish","type":"post","link":"https:\/\/ponderosa.it\/en\/luciano-linzi-jazzmi-here-are-my-tips\/","title":{"rendered":"Luciano Linzi: \u201cJAZZMI, here are my tips\u201d"},"content":{"rendered":"
\n
By Luca Testoni<\/strong><\/div>\n
<\/div>\n
\u201cEleven years ago when we started, Titti Santini<\/strong> and I set ourselves the goal of re-stitching the threads that tie jazz music to Milan<\/strong>, and I think we succeeded. Today, we continue to keep all the ingredients of what was the original idea: to create a contemporary jazz festival that is wide open on all fronts\u2014capable of looking at the history of this music, while keeping a watchful eye on its most recent developments, evolutions, and cross-pollinations.\u201d<\/div>\n<\/div>\n
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Luciano Linzi<\/strong>, one of the two artistic directors, summarizes the philosophy behind JAZZMI<\/strong>\u2014long established as the Lombard<\/strong> capital’s largest jazz festival, produced by the JAZZMI Association<\/strong>, Ponderosa Music & Art<\/strong>, and Triennale Milano Teatro<\/strong>, in collaboration with Blue Note Milano<\/strong> and with support from the Ministry of Culture<\/strong> and the Municipality of Milan<\/strong>\u2014as follows.<\/p>\n

In a hypothetical journey through the best of the 2026 edition<\/strong>, Linzi<\/strong> starts with the celebration of the birth centenaries of two true giants of 20th-century<\/strong> jazz: \u201cThis year John Coltrane<\/strong> and Miles Davis<\/strong> would have turned 100<\/strong>. Like almost all major festival programs, we also decided to commemorate both anniversaries, though with events that take very different forms,\u201d he notes.<\/p>\n<\/div>\n

All about Miles Davis<\/b><\/p>\n

\u201cI’d like to highlight a true tribute: the one created by Paolo Fresu<\/strong> and his quintet. On October 29<\/strong> at the Teatro Lirico Giorgio Gaber<\/strong>, they will perform live the famous soundtrack to Louis Malle<\/strong>\u2019s Elevator to the Gallows<\/i> (Ascensore per il patibolo<\/i>), while the film\u2019s scenes play on the screen. It was the first soundtrack recorded by Davis<\/strong> and marked a turning point in his artistic exploration. In fact, he recorded the tracks in the studio while watching the film projected in front of him, creating a powerful bond between sound and images.<\/p>\n

Furthermore, on November 5<\/strong> at Triennale Teatro<\/strong>, we will present an original reimagining of Miles<\/strong> and Gil<\/strong> Evans<\/strong>\u2019 masterpiece Sketches of Spain<\/i>, curated by virtuoso flamenco dancer Israel Galv\u00e1n<\/strong> and trumpeter Michael Leonhart<\/strong>.<\/p>\n

Two themed books will also be presented: the new edition of Miles Davis<\/strong>‘s autobiography featuring a preface by Paolo Fresu<\/strong> (Linzi<\/strong> will discuss it with Fabrizio Bosso<\/strong>, Nick The Nightfly<\/strong>, and Daniele Di Gennaro<\/strong> at the Birdland Bookstore<\/strong> on October 22<\/strong> \u2013 Ed.) and John Vignola<\/strong>\u2019s Esercizi di Metamorfosi \/ Le molte vite di Miles Davis<\/i> (at AEdicola in Lambrate<\/strong> on October 24<\/strong>).<\/p>\n

Finally, at Cinemino Noise<\/strong>\u2014the new multipurpose space occupying the site that housed Le Scimmie<\/strong> until 15 years ago<\/strong>\u2014visitors can view an exhibition featuring 11 portraits by photographer Luciano Viti<\/strong>. Miles<\/strong> Davis<\/strong> sat for this posed photoshoot following his performance at the PalaEur<\/strong> in Rome<\/strong> back in 1987<\/strong>.\u201d<\/p>\n

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All about John Coltrane<\/b><\/div>\n
<\/div>\n
\u201cWe begin with a double tribute on November 1<\/strong>: at Triennale<\/strong>, Dimitri Grechi Espinoza<\/strong>, Aziz \u015eenol Filiz<\/strong>, and Guido Zorn<\/strong> will present live \u201cMeditation on a Love Supreme\u201d<\/i>, a project that stems from Coltrane<\/strong>‘s masterpiece to explore the relevance of its spiritual force today; meanwhile, at the ADI Design<\/strong> Museum<\/strong>, there will be a tribute titled \u201cDear Trane\u201d<\/i> by guitarist Sandro Fazio<\/strong>‘s quartet featuring saxophonist Francesco Bearzatti<\/strong>. In addition, I would also highlight two other concerts that serve as an indirect tribute to Coltrane<\/strong> by two saxophonists who inherited his spirit and love for experimentation. I’m referring to James Brandon Lewis<\/strong>, who, with The Messthetics<\/strong> project\u2014which also features the bassist and drummer from Fugazi<\/strong>\u2014creates a dialogue between jazz and avant-garde rock (on November 7<\/strong> at Santeria Toscana 31<\/strong>); and tenor saxophonist Isaiah Collier<\/strong>, one of the most brilliant voices of the new Chicago jazz scene (on November 8<\/strong> at Triennale<\/strong>).\u201d<\/div>\n
<\/div>\n
A kaleidoscope of offerings<\/b><\/div>\n
<\/div>\n
\u201cThe strength of JAZZMI<\/strong>, I repeat, lies in giving space to jazz, which is inherently inclusive and opens up and regenerates itself when combined with other genres and soundscapes,\u201d Luciano Linzi<\/strong> continues. \u201cI think of the world music cross-pollinations of projects like L\u2019Antidote<\/strong> (on October 22<\/strong> at Santeria Toscana 31<\/strong>) or Afro-influenced projects like those of Rokia Traor\u00e9<\/strong> (on October 27<\/strong> at Alcatraz<\/strong>) or saxophonist Idris<\/strong> Ackamoor<\/strong>, one of the most authoritative voices in spiritual and Afrofuturist jazz (on October 29<\/strong> at Biko<\/strong> Milano<\/strong> with the Pyramids<\/strong>). But also the new soul of Judith Hill<\/strong> (on October 30<\/strong> for two sets at Blue Note<\/strong>) and the project of the incredibly promising Momoko Gill<\/strong>, who, after her collaborations with Alabaster<\/strong> DePlume<\/strong> and Shabaka Hutchings<\/strong>, has launched her solo path blending singer-songwriter traditions, jazz, electronics, and ambient music (Biko Milano<\/strong> on November 7<\/strong>). Not to mention, on October<\/strong> 24<\/strong> at Santeria Toscana 31<\/strong>, Scottish artist Corto.Alto<\/strong>, one of the key figures of the new UK jazz scene, and the project spanning ambient, electronic experimentation, and folk by Sigur R\u00f3s<\/strong> keyboardist Kjartan Sveinsson<\/strong> (hosted at Auditorium San Fedele<\/strong> on October 28<\/strong>)\u2014proof that the boundaries between genres are becoming increasingly blurred and music is harder and harder to label.\u201d<\/div>\n<\/div>\n
<\/div>\n
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Jazz drums in the spotlight<\/b><\/div>\n
<\/div>\n
\u201cDrums are a central instrument in jazz\u2014its very heart, partly because they drive its propelling rhythm. That\u2019s why I\u2019m pleased to highlight the concerts of two drummer-leaders and composers: on November 1<\/strong>, Smith<\/strong>, who has played alongside Dave Holland<\/strong> and Chris Potte<\/strong>r, will perform a double set at the Triennale<\/strong>. Fresh off winning two Grammy Awards<\/strong>, he will bring to life his award-winning LIVE-ACTION<\/i>, blending jazz with soul and hip-hop, featuring highly advanced and extraordinary rhythmic compositions. Two days later, on November 3<\/strong>, it will be the turn of another Grammy winner, the spectacular Louis Cole<\/strong>, appearing as a duo with alto saxophonist David Binney<\/strong> at the Triennale<\/strong>.\u201d<\/div>\n
<\/div>\n
Something for everyone<\/b><\/div>\n
<\/div>\n
\u201cYou only need to scroll through the lineup to realize there\u2019s truly something for every taste, and the bill is exceptionally rich,\u201d Linzi<\/strong> emphasizes. \u201cFor instance, how can you not mention the return to JAZZMI<\/strong> of a great voice like Gregory Porter<\/strong> (performing on November 3<\/strong> at Alcatraz<\/strong>)? Speaking of vocals, I’d also point out the concerts by Dee Dee Bridgewater<\/strong> (a double set on November 5<\/strong> at Blue Note<\/strong>) and her daughter China Moses<\/strong> (on November 4<\/strong> at Triennale<\/strong>), who has proven to be every bit as talented as her mother. Continuing with great voices, Milan<\/strong> will also host the wonderful Yazmin Lacey<\/strong>, bridging jazz and soul (on October 29<\/strong> in Piazza Liberty<\/strong> near the Apple Store<\/strong>); Take 6<\/strong>, the world\u2019s greatest a cappella group (a double set at Blue Note<\/strong> on November 7<\/strong>); and Nick the Nightfly<\/strong>, who\u2014also at Blue Note<\/strong>, but on October 27<\/strong>\u2014will sing the hits of two pillars of American songwriting, jazz, and blues, Oscar Brown Jr.<\/strong> and Mose<\/strong> Allison<\/strong>, both marking their birth centenaries.\u201d<\/div>\n<\/div>\n
\n
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<\/div>\n
Made in Italy<\/b><\/div>\n
<\/div>\n
\u201cJAZZMI<\/strong> has always paid close attention to Italian jazz,\u201d concludes the artistic director. \u201cAmong this year’s highlights, I\u2019d point out Fabrizio Bosso<\/strong>‘s quartet (a double set at the Blue Note<\/strong> on October 22<\/strong>); Enrico<\/strong> Intra<\/strong>‘s restaging of his 1970s<\/strong> album with Gerry Mulligan<\/strong> (at Triennale<\/strong> on October 31<\/strong>); Gaetano Liguori<\/strong> performing again with his historic Idea Trio<\/strong>, a group with a strong experimental approach (also at Triennale<\/strong> on October 31<\/strong>); and the Sardinian-born saxophonist-clarinettist Enzo Favata<\/strong>, whose latest work leading the Atlantico quintet<\/strong>\u2014reunited after decades to blend jazz with world music influences\u2014was released by the prestigious German record label ECM (at Triennale<\/strong> on November 7<\/strong>). Finally, worth mentioning is the return of refined, jazz-tinged singer-songwriter music with the voices of Sergio Cammariere<\/strong> (on November 8<\/strong> at the Conservatorio<\/strong>) and Chiara Civello<\/strong> (on November 6<\/strong> at the Volvo<\/strong> Studio<\/strong>, paired with Cristiano Crisci<\/strong>, alias Clap! Clap!<\/strong>).\u201d<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Info & Tickets jazzmi.it<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Luciano Linzi, artistic director, summarizes the highlights of the 2026 edition.<\/p>\n","protected":false},"author":8,"featured_media":15200,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[85,91,231,26,95],"tags":[],"class_list":["post-15181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bighome-en","category-festivals-en","category-magazine-en-2","category-magazine-en","category-music-en"],"acf":[],"yoast_head":"\nLuciano Linzi: \u201cJAZZMI, here are my tips\u201d - Ponderosa<\/title>\n<meta name=\"description\" content=\"Luciano Linzi, artistic director, summarizes the highlights of the 2026 edition.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ponderosa.it\/en\/luciano-linzi-jazzmi-here-are-my-tips\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luciano Linzi: \u201cJAZZMI, here are my tips\u201d - 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